{"id":195,"date":"2020-04-03T18:51:10","date_gmt":"2020-04-03T16:51:10","guid":{"rendered":"https:\/\/art.anywhere.de\/?page_id=195"},"modified":"2022-05-25T17:46:14","modified_gmt":"2022-05-25T15:46:14","slug":"auctions","status":"publish","type":"page","link":"https:\/\/producersart.com\/index.php\/auctions\/","title":{"rendered":"Auctions"},"content":{"rendered":"[et_pb_section fb_built=”1″ _builder_version=”4.16″ use_background_color_gradient=”on” background_color_gradient_stops=”rgba(0,0,0,0.6) 0%|rgba(255,255,255,0) 100%” background_color_gradient_overlays_image=”on” background_color_gradient_start=”rgba(0,0,0,0.6)” background_color_gradient_end=”rgba(255,255,255,0)” background_image=”https:\/\/producersart.com\/wp-content\/uploads\/2020\/06\/Header_auctions_van_Ham_bw.png” background_position=”top_center” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.17.1″ text_text_color=”#ffffff” text_font_size=”30px” header_text_color=”#ffffff” header_font_size=”44px” header_4_text_color=”#ffffff” header_4_line_height=”1.2em” header_5_text_color=”#ffffff” custom_margin=”||-16px|||” custom_padding=”||10px|||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]\n

PArt Charity Auction<\/span><\/h1>\n
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In total, more than 250,000 euros were raised for artists and art funds through the PArt charity auctions in 2020 and 2021. For this we would like to thank all the supporting artists very much. We also thank all collectors for their bids and purchases.<\/span><\/strong><\/span><\/h3>\n<\/div>\n<\/div>\n
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\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”off|off|off” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/producersart.com\/wp-content\/uploads\/2021\/07\/Part-_button-bid-now.png” title_text=”Part-_button-bid-now” url=”https:\/\/www.van-ham.com\/de\/auktionskataloge\/a1102-part-benefizauktion.html” url_new_window=”on” align=”center” _builder_version=”4.16″ height=”150px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_fullwidth_code _builder_version=”4.16″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px|10px|false|false” custom_css_main_element=”font-family: Verdana, Geneva, sans-serif;||text-align: left;||font-size: 8px;||align-items: flex-start;” global_colors_info=”{}”]Photo: Van Ham Auktionen[\/et_pb_fullwidth_code][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ custom_padding=”15px||5px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ custom_margin=”|auto|-28px|auto||” custom_padding=”4px||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ custom_margin=”|0px||0px|false|false” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”]\n

Auction Lots:<\/span><\/h2>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ min_height=”8058px” custom_padding=”4px|||||” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]
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Infinity Drift No. 6 (Edition 1\/3), 2018<\/a><\/h4>\n

Lena Marie Emrich<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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29.V.2020, 2020<\/a><\/h4>\n

Torben Giehler<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Over the rainbow, 2021<\/a><\/h4>\n

Thorsten Brinkmann<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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\n \n \"\"<\/a>\n <\/span>\n Courtesy of Galerie Fahnemann<\/i>\n <\/div>\n
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Splinter, 2016<\/a><\/h4>\n

Tanja Rochelmeyer<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Roadrunner, 2021<\/a><\/h4>\n

Silke Silkeborg<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Ohne Titel, 2020<\/a><\/h4>\n

Peter Nikolaus Heikenw\u00e4lder<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Frieze of Panrthenon, 2020<\/a><\/h4>\n

Penny Monogiou<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Super Nova, 2021<\/a><\/h4>\n

Paul Schrader<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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VOLLE N\u00c4HE, 2021<\/a><\/h4>\n

Patrick Cierpka<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Move on 2, 2020<\/a><\/h4>\n

Miwa Ogasawara<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Brain G2, 2021<\/a><\/h4>\n

Michael Sailstorfer<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Quantum Jump (Dyptichon), 2021<\/a><\/h4>\n

Merav Leibkuechler<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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733-8-4, 2008<\/a><\/h4>\n

Marc L\u00fcders<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Rakete (Edition 2\/3), 2019<\/a><\/h4>\n

Malte Bartsch<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Edition Immersive Integral Rainbow Study 3, 2019<\/a><\/h4>\n

Jorinde Voigt<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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PHOENIX ASCENSION, 2021<\/a><\/h4>\n

Jason Engelbart<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Ohne Titel, 2019<\/a><\/h4>\n

Franz Erhard Walther<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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\u00dcber F. Kap.4\/Abs.4 (2-teilig), 2006<\/a><\/h4>\n

Jana Gunstheimer<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Training for the Olympics, 2020<\/a><\/h4>\n

Ivo von Renner<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Leaving the Sculpture Park, 2020<\/a><\/h4>\n

Ivo von Renner<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Checking the caboose Radio, 2020<\/a><\/h4>\n

Ivo von Renner<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Ohne Titel, 2021<\/a><\/h4>\n

Janus Hochgesand<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Chance, 2020<\/a><\/h4>\n

Isabell Kamp<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Molded Mirror 2019 No. 03, 2019<\/a><\/h4>\n

Hubertus Hamm <\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Zazura E, 1998<\/a><\/h4>\n

Hubert Scheibl<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Jawlensky\u2019s smile #7 (girls talk), 2020<\/a><\/h4>\n

Henrik Eiben<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Brenner, 2018<\/a><\/h4>\n

Fritz Bornst\u00fcck<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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NAMES – NATALIA GINZBURG, 2018<\/a><\/h4>\n

Fernando de Brito<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Skandinavische Flaggen in Rosenkranz, 2020<\/a><\/h4>\n

Christopher Lehmpfuhl<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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untitled, 2017<\/a><\/h4>\n

Danja Akulin<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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untitled, 2020<\/a><\/h4>\n

Danja Akulin<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Oval-Module-Box #1, 2020<\/a><\/h4>\n

Daniel Engelberg<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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intuition, 2021<\/a><\/h4>\n

Christian Awe<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Untitled, 2020<\/a><\/h4>\n

Anselm Reyle<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Stillleben (9.5. – 16.5.2020), 2020<\/a><\/h4>\n

Michael Wesely<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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My candle burns from both ends, 2020<\/a><\/h4>\n

Alicja Kwade<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Profiles (1), 2008<\/a><\/h4>\n

Tony Cragg<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Hidden Rauch, 2020<\/a><\/h4>\n

Volker Hermes<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Ohne Titel (Chromatische Konstellation), 2020<\/a><\/h4>\n

Heinz Mack<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Das totale Gl\u00fcck, 2020<\/a><\/h4>\n

Albrecht \/ Wilke<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Little star, little star, 2019<\/a><\/h4>\n

Xiyao Wang<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Raumspiegel 5, 2019<\/a><\/h4>\n

Simon Schubert<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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“Elbblick” (Sollbruch\/R), 2021<\/a><\/h4>\n

Martin Spengler<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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rochus10, 2014<\/a><\/h4>\n

Felix Rehfeld<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Skifahrer*innen 09, 2020<\/a><\/h4>\n

Karin Kneffel<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Global Membership – 50% after costs, 2019<\/a><\/h4>\n

Christian Jankowski<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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Ghost Train, 2021<\/a><\/h4>\n

Bettina Scholz<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n

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pan de azucar, chile, 2020<\/a><\/h4>\n

herman de vries<\/a><\/p>\n <\/i>\n <\/div>\n <\/div>\n <\/div>\n\n <\/article>\n\n <\/div>\n <\/div>\n

\n <\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]\n

The PArt Charity Auction is conducted by the renowned auction house VAN HAM.\u00a0<\/span><\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.16″ use_background_color_gradient=”on” background_color_gradient_stops=”rgba(0,0,0,0.6) 0%|rgba(255,255,255,0) 100%” background_color_gradient_overlays_image=”on” background_color_gradient_start=”rgba(0,0,0,0.6)” background_color_gradient_end=”rgba(255,255,255,0)” background_image=”https:\/\/producersart.com\/wp-content\/uploads\/2020\/06\/Header_auctions_van_Ham_bw.png” background_position=”top_center” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.17.1″ text_text_color=”#ffffff” text_font_size=”30px” header_text_color=”#ffffff” header_font_size=”44px” header_4_text_color=”#ffffff” header_4_line_height=”1.2em” header_5_text_color=”#ffffff” custom_margin=”||-16px|||” custom_padding=”||10px|||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″] PArt Charity Auction In total, more than 250,000 euros were raised for artists and art funds through the PArt charity auctions in 2020 and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/producersart.com\/index.php\/wp-json\/wp\/v2\/pages\/195"}],"collection":[{"href":"https:\/\/producersart.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/producersart.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/producersart.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/producersart.com\/index.php\/wp-json\/wp\/v2\/comments?post=195"}],"version-history":[{"count":61,"href":"https:\/\/producersart.com\/index.php\/wp-json\/wp\/v2\/pages\/195\/revisions"}],"predecessor-version":[{"id":15460,"href":"https:\/\/producersart.com\/index.php\/wp-json\/wp\/v2\/pages\/195\/revisions\/15460"}],"wp:attachment":[{"href":"https:\/\/producersart.com\/index.php\/wp-json\/wp\/v2\/media?parent=195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}